The Queen of Hearts: Tales of Middle-Aged Passion
Stories by Millie Crace-Brown Reviewed by Cara Bobchek
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The Queen of Hearts
Millie Crace-Brown
Hardcover - $16.10
Published April, 2000
GreyCore Press
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Women of a certain age know that "middle-aged passion" is not an
oxymoron. In this GreyCore Press collection of two novellas and a short story,
Millie Crace-Brown explores the lives of three women who are searching for something
about which to be passionate.
The first novella, "The Queen of Hearts," is the least successful.
It tells the story of Rosie, who is in a deep depression since her husband left
her for his younger secretary. The rest of the story continues to be cliched:
in between worrying about what her teenaged son’s friends think of her and feeling
sorry for herself, Rosie discovers after some weeks that she has lost that extra
weight she has been hiding behind since her marriage began to sour. Newly slim,
she also sheds the depression, gets a job at a natural-remedies shop, and lands
not just one but two new boyfriends. Now that she’s thin, Rosie even
gets the satisfaction of getting to turn her husband away when he inevitably
comes crawling back to her. If this story is meant to be credible on its own,
it’s just too pat. If it’s meant to be allegorical, well, we’ve read it before,
too often.
Ms. Crace-Brown does pop a delightful quirk or two into each of the pieces
in this collection, and the one in Rosie’s tale is wonderful and nearly manages
to save the story from its lack of originality. Without giving too much away,
suffice it to say that the mild-manned, "safe" choice of boyfriends
for Rosie has a secret of the kind that makes the reader pause – maybe for more
than a moment – to wonder how he or she would react if told the same thing by
a lover.
The second novella, "The Queen of Diamonds," is far more original
and engaging. This is the story of Lina, a terminally ill widow who is attempting
to set her life into order before it ends. She has survived an unhappy marriage
but is concerned about her own legacy in the face of her impending early demise,
especially as she has no children of her own. The issues that Linda must cope
with are complicated by the fact that she is wealthy and wants to make her bequests
with care, as well as by the fact that her husband died suddenly, leaving her
with no opportunity to resolve the painful issues in their marriage. Linda finds
unexpected happiness in the companionship of an alcoholic man who would be pathetic
if it weren’t for his kindness. Sadly, we learn in the end that, despite the
care she has taken, Lina’s ability to ultimately control her legacy is undermined.
The last piece in the collection is "Me and Bobby DeNiro, Out in Front
of the Babaland." In this short story, Rita, a housewife whose marriage
is stale (he cheats) and whose children are grown, contemplates re-entering
the workforce, which is a metaphor for re-entering life. She discovers that
actor Robert DeNiro has purchased a getaway home near her neighborhood, and
whimsically yet earnestly she leaves a letter for him there asking for a job
as his caretaker. She fantasizes that they develop a relationship whereby she
becomes indispensable to him, anticipating his every comfort and need. As her
reward, she also fantasizes, she receives his attention and appreciation – for
what Rita really is struggling with feeling uneeded. In the end, without a contrived
catalyst, but in a natural, believable way, Rita draws from within herself to
begin to face the changes she must make in her life. The story is written as
gracefully as Rita’s transition.
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Cara Bobchek is a writer based in Washington, D.C.
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