Subject: Montreal, 2:30 am
by Bob McCranie
Date: Sat, 29 Apr 2000
From: MARCCREATE
You know, folks, about 25 yrs ago some guy I worked for who worked for
Random House, told me that in 15 years, everyone will be listening to
poetry on cassettes. The print media will disappear. What you are saying
is that a live object such as a book will be obsolete. The net deprives
the reader of intimacy of "the house was quiet and the world was calm."
The net is a place of frenzy, of virtual anything. I'm straining my eyes
to read white letters on green. I don't enjoy the experience of poetry
on a screen with all its visual gymnastics. All crap! So don't think you
know it all. I like the idea of email. So far the websites of most of
the mags. just let me know that there is even more mediocrity out there
than I thought. Running this stuff off help just a little.
MW
Subject: Seizure by Jenny
Factor
Date: Fri, 28 Apr 2000
From: Amy Luster
What a refreshing and evocative piece I found Seizure to be! I am pleased
to discover such talented and satisfying writing. And to think- a poem
that I can so readily appreciate! It was truly delightful.
Subject: Dive by Amy Weintraub
Date: Tue, 25 Apr 2000
From: David Leitner
I enjoyed the work greatly. Very vivid description. The hook opening
was great and made me want to read more. Even better when the story (after
flashback) made its way to that moment and then beyond. Plus, Ms. Weintraub's
use of nautical terms (e.g., parts of the boat, the weight of the tank)
revealed either real life experience or research.
I find that reading well written short stories can improve my own short
stories and other prose (I work f/t as an attorney). Thank Ms. Weintraub
for me, if possible.
David Leitner
New York, NY
yorick4@aol.com
Subject: Review
of The Poetry Webring Webzine by Tom Hartman
Date: Sun, 23 Apr 2000
From: Chesil
Hi, Thanks for the constructive criticism, I appreciate it.
I would have loved to have seen the review when it was published as it
would have helped a lot in thinking about the design of future issues,
as well as content. Maybe you should send an advice out to sites that
have been reviewed?
I appreciated the fact that your reviewer was good enough to select the
work he liked and did not pick out what he considered to be the lesser
quality work for criticism. I may well be off my head but part of my philosophy
is to offer encouragement to writers that I believe are capable of producing
better work. Inevitably, this will lead to variable content quality but
I am happy to accept responsibility for that.
Incidentally, I admire and envy your paying contributors to your zine.
That is something I would love to be able to emulate but I doubt it will
be happening soon. I enjoyed the current issue very much.
Best wishes,
Chesil
Ringmaster
The Poetry Webring
Subject: What happened?
Date: Tue, 18 Apr 2000
From: Anthony Amanfor
Okay, I could respect the new look.
Okay I could respect the beautiful design.
Okay, I could respect the easier access to the links.
But what happened? I have been reading pif since its inception, and have
even received a few rejection of my poems---thank you very much---but
this month I go to the URL and everything is about sex sex sex sex what
happened to the poetry, fiction, related stuff, and the stuff from the
previous webpage format?
I don't get it.
Editor's Note: When the cat's away, the mice will play ... Now that
we've put our clothes back on (and our "SEX" issue is behind
us) we hope you'll rejoin us.
Subject: The Savoy Bar and
Social Club by Eugenie Hero
Date: Sat, 15 Apr 2000
From: BJaffe80
Eugenie Hero's story is provocative and disturbing, from the Easter egg
hunt and mama's volunteering at symphony to the leering, older "gentleman"
with leashed boy at his beck and call. I would like to see more of her
work.
Eleanor W.J.
Subject: Politically Correct Language
Date: Wed, 05 Apr 2000
From: John Dodds
I confess to a wry smile at the subtitle of Hanne Blank's book "a sourcebook
on sex for people of size". I've noticed a few examples in US writing
and where political correctness becomes vagueness. Okay, the Book is called
"Big Love" so one assumes it refers to large people, but on its own "people
of size" is completely meaningless. It could mean small, medium or large
size, in effect. Equally, I alway find "people of colour" vaguely offensive,
as possible some sectors of the black, Hispanic, and other ethnic groups
might.
Here in the UK, there have also been some laughable attempts at political
correctness. We struggle with "disablity", "black", and so on, but even
with "women" and "men" and at times it gets ludicrous, with schools banning
certain books.
"Snow White and the Seven Vertically-Challenged Persons" indeed.
Anyhow, Pif is a great magazine (I don't know if we've found a politically-correct
way of describing online magazines yet!)
Best wishes for the future.
Editor's Note: Your point is well-taken. Political-correctness has become
a curse on western civilization. Since "Person of Size" is Hanne
Blank's description of not only her target audience, but herself as well,
though, I'm afraid we'll have to side with the author on this one.
Subject: Ingrid Woodrow's Reviews of E-Zines
Date: Tue, 21 Mar 2000
From: Daniel A. Olivas
As a relatively new fiction writer, Ingrid Woodrow's reviews of electronic
litmags have been very helpful to me as well as being fun to read. I'm
always looking for potential markets to submit to and Ms. Woodrow has,
on more than one occasion, steered me in the right direction. Thus, aside
from being an accomplished novelist and short story writer, Ms. Woodrow
is a brilliant traffic cop for writers on the Web. Thank you for including
her wonderful reviews on Pif. (She also edits a pretty damned cool e-zine
called Mangrove.)
Tell us what you think. Email talkback@pifmagazine.com
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