Stirring
Edited by Erin Elizabeth Reviewed by Ingrid Woodrow
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Stirring Edited by Erin Elizabeth StirringMag@aol.com
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Stirring is a promising new 'zine
established in October of last year and edited by Erin Elizabeth. Featuring
scripts, prose and poems, they're seeking work that's "fresh and innovative."
What's here, in the April issue, is just that. There's Tom De Poto's touching
story about Bobo the clown: already nervous about an impending introduction
to the parents of his girlfriend, Mary, later in the evening, his afternoon
deteriorates quickly after he attends a kids' birthday party. In what's supposed
to be a triumphant finale to his act, he accidentally charbroils the pet pigeon
and is escorted from the property. There is real diversity in the work here,
not only in style but in origin, with submissions from Rome, Mexico, Australia
and New York, to name a few. I liked Michael Sposito's "You and Your Plane Crash,"
about an alcoholic ex-journalist whose wife confronts him about a binge-drinking
session the night before:
He felt he was choking and wanted to cry and hold her. He closed his
eyes hard. He opened them, stared out the window and saw the low, gray
clouds that seemed to seal his fate...alcohol seemed to move into him
like a vacant apartment. It moved in, set up shop, and put a sign on
the door.
From the depths to the heights, the "wet" theme continues with Peter Lobdell's
play, "A Nightcap for Redcap," in which the two main characters, over the course
of the play, become "wonderfully and extraordinarily intoxicated...a transcendent
physical and emotional place of great freedom and expression." One of the players,
Mary, quips, "I don't want to drink wine with anyone who won't play with me
naked on a fairy mound in the moonlight." Amen to that!
There's some poetry, too. A highlight was Gabriel Siegel's "South Sea Ephemeral
Hymn":
The sky has thickened and dawn is coming
while her still Samson on the verandah
measures with cigarettes and melting ice
the time to take before leaving.
An interesting element of Stirring is that it offers "free critiques"
of your work (OK, not free, exactly, but in exchange for a link or a recommendation
to a friend, which is easy enough). You can get any kind of work critiqued -
up to four pages - and can specify how detailed you want the review to be. The
'zine also offers discounts at places like Barnes & Noble and Big Star,
as well as a discussion forum, chat room and bulletin board.
The layout is clean and simple, with a good color image at the start (advertising
a photography competition open to those of us who have "something to say"),
and easy-to-read bios at the beginning of each piece listing details such as
authors' birthdays, locations, other publications, email addresses and Web sites
at a glance. I didn't like the annoying ad at the top of some works that consisted
of scrolling text - the constant movement was distracting - though I acknowledge
the necessity of a 'zine such as this having to rely on sponsors while it finds
its feet in the literary world. Stirring looks set to make some waves
on the Web - I look forward to seeing the development of this 'zine into a quality
forum for intelligent writing.
Tell us what you think. Email talkback@pifmagazine.com
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Ingrid Woodrow is a writer based in Brisbane, Australia. Her first novel,
Goddess and the Galaxy Boy, will be published in early 2001. She is completing a PhD in Creative Writing at the University of
Queensland and working on a new novel.She is also the founding editor of the online
writing journal Mangrove, which is listed as a "Site of National
Significance" in the National Library of Australia's PANDORA archive.
Further information and samples of her work can be obtained by visiting www.uq.edu.au/~eniwoodr
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