For many a twenty-something guy, spending three weeks as the researcher at Hustler magazine (where your duties include sorting reader-submitted cheesecake shots, fact-checking cover model bios and procuring copies of competing magazines for the boss) might just be the temp-job equivalent of nirvana. For a woman, however, as Margaret Gray tells us in her memoir, "My Three Weeks in Porno," a stint in Larry Flynt Land means battling a host of conflicting emotions: Here's a brief excerpt:
 

"Hi!" I say. "I'm calling from the Research Department at Hustler magazine. You submitted some photos to our 'amateur photo contest'?"

"Oh, right." The girl sounds tired. Somewhere behind her, a dog barks, a child screams.

When her Polaroids arrived this morning, in a small envelope embroidered with ballpoint injunctions not to bend, I taped them to one of my photocopied "Beaver Hunt" forms. In the top shot, a blonde lies on a tan sofa wearing bright red spike heels and a dazed smile. Pretty girl, I think maternally. I was pleased when the editor chose her from the stack. No gimmicks-no American flag swathing her belly, or stuffed animal propped up somewhere startling on her anatomy. Just the dingy paisley sofa and the red heels, a hint of shag carpeting in the top left. Once I got past the surprise of witnessing the naked, splayed bodies of America's girls next door — it's really a lot easier than you'd think — I became most interested in these Polaroids as an homage to the American living room. So resolutely, un-redecoratedly 1970s!

Gray's piece is just one example of the quality prose readers will find in Tragos, a Left Coast zine ably curated by Gadi Dechter. Published irregularly, Tragos also contains fiction, photography, music and miscellany. The current issue looks at unemployment, the condition, Dechter says in his editor's note, that served as the catalyst for Tragos' creation: "we are all unemployed, he writes, "or we'd like to be." Following Gray's essay, be sure and read John Bernard's "Return of the Slacker," which among other things describes the role of films by Cameron Crowe, Richard Linklater and other directors in creating the "cult of idle," which Bernard says is now enjoying a resurgence.

If Dechter and company do get day jobs, let's hope they're still able to spin out more issues of this smart, entertaining zine in their spare time.