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Pif Magazine
6115 NE 185th Street
Kenmore, WA 98028
ISSN: 1094-2726
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Zero for Conduct
Directed by Jean Vigo
Reviewed by Nick Burton
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Although director Jean Vigo only completed four films when he died in 1934 at the age of 29, his films have had an enormous impact on generations of filmmakers who have tried to combine the disparate elements of stark reality and surreal fantasy as seamless as Vigo. The son of an anarchist, Vigo had a subversive streak that manifested itself perhaps most perfectly in his 1933 short film Zero for Conduct, a film that so upset the French government that it was banned until 1945.
Running just under 45 minutes, Zero for Conduct is the story of rebellion at a boys’ boarding school, from the boy’s return to classes after summer vacation to a student-lead rebellion and escape. Vigo’s images (photographed by Boris Kaufman, the brother of director Dziga Vertov, who shot all of Vigo’s work) present the school life of the boys as a surreal purgatory where the only sympathetic adult figure is the new young teacher Huguet (Jean Daste). Huguet delights the boys with his Charlie Chaplin imitations and his in-class handstands, but the school authorities, including a bearded dwarf principal and his nosy assistant, don’t like Huguet or the anarchic spirit he gives the children. Three of the older boys, tired of being graded "zero de conduite" and tired of the assistant principal going through their desks during recess, decide to rebel.
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 Zero for Conduct
Jean Vigo
Starring Jean Daste
VHS Tape - $12.99
Subtitles in English
Rated - NR
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The boys plan to disrupt the school’s alumni day ceremony by pelting the attending school officials and visiting mayor with all the tin cans, books and other throwable items they can find in the school’s attic. The boys find a fourth confederate in the androgynous Tabart (Gerard de Bedarieux), a dress-wearing, sensitive lad who the principal frightens and calls psychotic. When Tabard is asked to apologize to the headmasters after he rebuffs the slimy advances of the corpulent science teacher, he swears allegiance to the revolt, raising the boys' skull and crossbones flag on the roof.
During the bizarre alumni day celebration, populated by surreal mannequins and gymnastic firemen, the boys do indeed pelt the assembled guests with said garbage, to the cheers of the other boys and Monsieur Huguet, before escaping over the rooftops. Throughout the film, Vigo infuses just the right amount of fantasy into what are otherwise straightforward scenes of childhood, giving the entire work a feeling of dreamy fantasia where the realities of childhood are kept at arm’s length. A film to be treasured and studied, the film has left its trace on everyone from Francois Truffaut to Federico Fellini, and while Vigo’s sole feature-length film, L’Atalante, suggested even greater things, it is this film that illustrates the poetic realism that is synonymous with Vigo’s name.
I should mention that this film was the inspiration for Lindsay Anderson’s knockout 1968 film, If..., with Malcom McDowell. But rather than having the students throw debris at the gathered faculty and parents, Anderson gave them automatic weapons, giving If... a resonance that Vigo or Anderson most likely never imagined.
Tell us what you think. Email
talkback@pifmagazine.com
Want Pif to review your film? See Review Suggestions for more details.
NICK BURTON lives in Newport Beach, California. His fiction has appeared in many small press and web publications, including: Chronicles Of Fiction, Pauper, and of course Pif.
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