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Pif Magazine
6115 NE 185th Street
Kenmore, WA 98028

ISSN: 1094-2726


PAST POETRY MORE POETRY


I never would have bought a new black car,
but this is a used one, so I couldn't
be too choosy, though I must admit
I pictured a sleek black cat and wondered
if a black car creating your path
has the same effect as a black cat crossing it.

My thoughts also turned to Emily's carriage,
which I've always seen as a black vehicle,
so I looked it up in Immortal Poems
and was relieved to find no color specified
for either the carriage or the horses
with their heads turned toward eternity.

Black is not the right color for some things,
houses for example. I'd never paint
my house black, inside or out, though I know
some people do paint rooms black. My house
had a black bathroom when I moved in,
but I hated it and repainted it yellow.

So now I'm thinking of black dresses
which I've never avoided wearing.
Although they're standard for funerals,
they can also be glamorous, depending
on the cut and the occasion. Nor have I
shunned onyx jewelry. That would be foolish.

Similarly, I've convinced myself
that a good buy on a black car should not
be passed up. A black car is like a panther,
which is really a black leopard, graceful,
faster than an antelope, and fine
as the night sky in Malaysia or Sumatra.


Tell us what you think. Email talkback@pifmagazine.com


Lucille Lang Day's poetry collections are Fire In The Garden (Mother's Hen) and Self-Portrait With Hand Microscope (Berkeley Poets' Workshop and Press), which received the Joseph Henry Jackson Award in Literature from the San Francisco Foundation.

She received her M.A. in creative writing from San Francisco State University. She also hold an M.A. in zoology and a Ph.D. in science and mathematics education, both from the University of California at Berkeley. Currently, she is a lecturer in the School of Education at Saint Mary's College, Moraga, California, and director of the Hall of Health, a museum in Berkeley.