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ISSN: 1094-2726


PAST ZINE REVIEWS MORE ZINES


Impossible Object
Reviewed by Ingrid Woodrow

 

I thought if I could overcome the academic pretensions of the name I'd probably find something of interest in Impossible Object, a hypertext journal from Brown University, home to Robert Coover and other seminal figures in literay hypertext folklore. And sure, it has a great design. Yes, there are some fancy-schmancy hypertexts here. But when you get right down to it, this journal doesn't satisfy. Maybe it was the first sentence of Steve Reed's piece that put me off: "Upon a person entering a wet dream coma with one arm tanner than the other, meaning his original race cannot be deduced, he must be cared for according to these laws..."

The "Hypertext" section of Impossible Object starts off decently, with a bit of a rant about how the journal aims to present some high-quality hypertexts from Robert Arellano's seminar at Brown and elsewhere. I started to wonder just what it is that Bob Arellano teaches when I took a closer look at the Japanese-animation style cartoon sex-pot wearing fishnets, a dog collar and chain-and leather-braces that don't quite cover her nipples. I decided to move on when I read that Jeffery Zimbalist and Izel Silam's "Silent Pinkhouse in Cahoots" contained "more perverted sexuality and mindless violence than the Bible".




Click HERE to visit Impossible Object

Of more interest to me was the intriguing "Expert" section. It featured a disturbing piece by Gabriel Hudson called "Playing with Fire: An American Childhood Memoir from the 70s". There's also a review of Carole Maso's book, Defiance, and an article on a company called National Amusements – apparently the first in a series of "Impossible Object Corporate Profiles." Another piece in this section that I particularly enjoyed resulted from a survey in which 22% of respondents answered affirmatively to the question, "Have you ever heard of John Updike?" Of that 22%, 67% mistook him for another celebrity, while 20% thought that a John Updike was either an illegal traffic maneuver or an obscure wrestling hold. Fascinating stuff. "Expert" also features a column called "Ask Father Sound." A woman seeks Father Sound's advice regarding a "piercing hum" that her household furniture has been emitting ever since her husband left her. Father Sound blithely informs the poor wretch that the sounds are coming "from inside yourself" and recommends that she "exit the house, taking only what can be carried or worn." Okay, so it's pretty harmless – undergraduate humour – but that's what scares me. I expected great things from this journal and instead came away with a few cheap laughs. Not good enough.



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Ingrid Woodrow is a writer based in Brisbane, AUSTRALIA. Her novel, Goddess and the Galaxy Boy, was shortlisted in October 1999 in The Australian/Vogel Literary Awards and is currently under consideration by three major Australian publishers. She is completing a Ph.D. in Creative Writing at the University of Queensland and working on a collection of short stories, one of which received second prize in the Banjo Paterson Writing Awards in June 1999.

Ingrid is the founding editor of the online writing journal Mangrove, which is listed as a "Site of National Significance" in the National Library of Australia's PANDORA archive. Mangrove is also a finalist in the upcoming AIMIAs (Australian Interactive Multimedia Industry Awards). Further information and samples of work can be obtained by visiting http://www.uq.edu.au/~eniwoodr