Scarlet Letters
Edited by Heather Corinna Reviewed by Ingrid Woodrow
Scarlet Letters aims to "address sex from a feminine perspective"
and focus on the "art and craft of erotica". Its credentials
are impressive one of the only sexual publications owned, operated
and edited entirely by women, and, with a 65% female readership, they
lay claim to the highest percentage of female readers of any sexual site
online. Theme issues come out four times a year upcoming topics
include Rites of Passage and Sexual Humour.
I've been thinking a lot about what it is that gives Scarlet Letters
that certain redeeming 'something' despite its obvious downfalls
tiny fonts, bad poetry, bad fiction, bad design areas where my
co-reviewer Tom Hartman and I are in agreement. In terms of literary
content, yes, this 'zine is pretty much a write-off. But it's the fact
that I kept looking even when I knew the 'literary' stuff was no good
that makes me think there's a worthwhile element to this site.
It is not that it was titillating. Consider the staff portraits - you
have to admire women with the gall to lay everything on the line like
that. And the cheeky sense of humor. And the fact that this site is a
venue for photography and art (and, yes, spectacularly bad writing) that
is unlike anything I've seen before on the Web. It isn't pornography (a
note on the cover informs us that if we're looking for that we've come
to the wrong place), but there are some fascinating and unusual glimpses
of female sexuality here that somehow wouldn't be appropriate anywhere
else.
I liked Charles Gatewood's photographs. (Scarlet Letters "editrix" Heather Corinna describes his ability to come
up with 'an image so telling that it reaches down to the core of
something deep and 'complex.') Clumsy
sexual metaphors aside, I loved the image of a woman tenderly sliding
acupuncture needles through her lover's nipple, and the two muscular male
torsos locked in a lover's embrace. I winced at the image of a rotating
spiky thing drawing beads of blood from skin. Of course, there's some
bad photography - Isabella's "original and brave erotic performances"
looked to me like nothing more than standard photo-paint manipulations
of nude self-portraits. I preferred Michelle Serchuck's "Solo Sex" photographs,
and finding them genuinely erotic, as were Adrian Welch's theatrical shots
of couples.
After all the visuals, I was ready for some words and there are plenty
of them, scattered through a mass of categories - perhaps too many - such
as Features, Fiction, Columns, Reviews, Weekly, Lounge. I enjoyed the
reviews of porn movies from a reviewer who revels in the depiction of
'real' bodies and 'real' facial expressions during orgasm. I did not like
the reviews of makeup freebies sent to the Scarlet Letters office,
though I guess this is standard 'women's magazine' fare that must appeal
to some.
It would be easy to dislike this 'zine. Let's face it, we're not dealing
with high literature. Yet I think in the case of much of the 'bad' poetry
and fiction that this is the point - personal musings on sex and lust
and love just wouldn't get a look in elsewhere. Still, Scarlet Letters
is good fun, and I learned a few things along the way (including masturbation
tips I had never even contemplated). This 'zine deals openly with issues
about female sexual pleasure that I wish I had been able to access years
ago, and its down-to-earth, guilt-free approach to sex is a rare treat.
For me, this makes Scarlet Letters a site worth a look.
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Ingrid Woodrow is a writer based in Brisbane, Australia. Her first novel,
Goddess and the Galaxy Boy, will be published in early 2001. She is completing a PhD in Creative Writing at the University of
Queensland and working on a new novel.She is also the founding editor of the online
writing journal Mangrove, which is listed as a "Site of National
Significance" in the National Library of Australia's PANDORA archive.
Further information and samples of her work can be obtained by visiting www.uq.edu.au/~eniwoodr
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