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Doctor Jack-o’-lantern 

by Richard Yates
 


ALL Miss Price had been told about the new boy was that he'd spent most of his life in some kind of orphanage, and that the gray-haired "aunt and uncle" with whom he now lived were really foster parents, paid by the Welfare Department of the City of New York. A less dedicated or less imaginative teacher might have pressed for more details, but Miss Price was content with the rough outline. It was enough, in fact, to fill her with a sense of mission that shone from her eyes, as plain as love, from the first morning he joined the fourth grade.

He arrived early and sat in the back row—his spine very straight, his ankles crossed precisely under the desk and his hands folded on the very center of its top, as if symmetry might make him less conspicuous — and while the other children were filing in and settling down, he received a long, expressionless I stare from each of them.

"We have a new classmate this morning," Miss Price said, laboring the obvious in a way that made everybody want to giggle. "His name is Vincent Sabella and he comes from New York City. I know we'll all do our best to make him feel at home."

This time they all swung around to stare at once, which caused him to duck his head slightly and shift his weight from one buttock to the other. Ordinarily, the fact of someone's coming from New York might have held a certain prestige, for to most of the children the city was an awesome, adult place that swallowed up their fathers every day, and which they themselves were permitted to visit only rarely, in their best clothes, as a treat. But anyone could see at a glance that Vincent Sabella had nothing whatever to do with skyscrapers. Even if you could ignore his tangled black hair and gray skin, his clothes would have given him away: absurdly new corduroys, absurdly old sneakers and a yellow sweatshirt, much too small, with the shredded remains of a Mickey Mouse design stamped on its chest. Clearly, he was from the part of New York that you had to pass through on the train to Grand Central — the part where people hung bedding over their windowsills and leaned out on it all day in a trance of boredom, and where you got vistas of straight, deep streets, one after another, all alike in the clutter of their sidewalks and all swarming with gray boys at play in some desperate kind of ball game.

The girls decided that he wasn't very nice and turned away, but the boys lingered in their scrutiny, looking him up and down with faint smiles. This was the kind of kid they were accustomed to thinking of as "tough," the kind whose stares ha made all of them uncomfortable at one time or another in unfamiliar neighborhoods; here was a unique chance for retaliation.

"What would you like us to call you, Vincent?" Miss Price inquired. "I mean, do you prefer Vincent, or Vince, or – or what?" (It was purely an academic question; even Miss Price knew that the boys would call him "Sabella" and that the girls wouldn't call him anything at all.)

"Vinny's okay," he said in a strange, croaking voice that had evidently yelled itself hoarse down the ugly streets of his home.

"I'm afraid I didn't hear you," she said, craning her pretty head forward and to one side so that a heavy lock of hair swung free of one shoulder. "Did you say ‘Vince'?"

"Vinny, I said," he said again, squirming.

"Vincent, is it? All right, then, Vincent." A few of the class giggled, but nobody bothered to correct her; it would be more fun to let the mistake continue.

"I won't take time to introduce you to everyone by name, Vincent," Miss Price went on, "because I think it would be simpler just to let you learn the names as we go along, don't you? Now, we won't expect you to take any real part in the work for the first day or so; just take your time, and if there's anything you don't understand, why, don't be afraid to ask."

He made an unintelligible croak and smiled fleetingly, just enough to show that the roots of his teeth were green.

"Now then," Miss Price said, getting down to business. "This is Monday morning, and so the first thing on the program is reports. Who'd like to start off?"

Vincent Sabella was momentarily forgotten as six or seven hands went up, and Miss Price drew back in mock confusion. "Goodness, we do have a lot of reports this morning," she said. The idea of the reports — a fifteen-minute period every Monday in which the children were encouraged to relate their experiences over the weekend — was Miss Price's own, and she took a pardonable pride in it. The principal had commended her on it at a recent staff meeting, pointing out that it made a splendid bridge between the worlds of school and home, and that it was a fine way for children to learn poise and assurance. It called for intelligent supervision — the shy children had to be drawn out and the show-offs curbed — but in general, as Miss Price had assured the principal, it was fun for everyone. She particularly hoped it would be fun today, to help put Vincent Sabella at ease, and that was why she chose Nancy Parker to start off; there was nobody like Nancy for holding an audience.


Posted by permission of Random House and Richard Yates' agent, from Eleven Kinds of Loneliness by Richard Yates ©1962. Atlantic - Little, Brown. All rights reserved.

 












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