Archive for May, 2000
Press Release : May 24, 2000
by Richard Luck
Originally published on May 24, 2000
Originally published on May 24, 2000
CONTACT: Camille Renshaw E-mail: camille@pifmagazine.com Tel. (360) 459-7289 PMB 248 4820 Yelm Highway SE, Suite B Lacey, WA 98503-4903 Media Kit Writer’s Digest Names PifMagazine.com and Pilot-Search.com Among the Best, Despite Strange History May 24, 2000 | Lacey, WA (INB) – PifMagazine.com and Pilot-Search.com are two of the best literary Web sites on the Internet, [...]
The Passion of Joan of Arc (1928)
reviewed by Nick Burton
Originally published on May 1, 2000
Originally published on May 1, 2000
What makes this film remarkable in its execution is that the film is shot entirely in close-ups, the actors looking uncomfortably real in their austere, claustrophobic setting.
Vulcan & Venus
by LindaAnn Loschiavo
Originally published on May 1, 2000
Originally published on May 1, 2000
The first time he saw Venus Vulcan loved. She was a flower, petals arching back, Intent on showing off its pollen tease. Without her in his life he”d be a dead sea That”s drying up. Without her as his wife, The god of fire suspects he will amount To merely supervisor of the clowns. His [...]
Interview with Francisco Goldman
interviewed by Whit Coppedge
Originally published on May 1, 2000
Originally published on May 1, 2000
Francisco Goldman’s short fiction and journalism have been published in Harper’s, Esquire, The New York Times Sunday Magazine, The New Yorker, Outside, Playboy, Buzz, and Mas. His first novel The Long Night of White Chickens won the Sue Kaufman Prize for First Fiction. The Ordinary Seaman was a finalist for the IMPAC Dublin International Literary [...]
Goldfinger (1964)
reviewed by Nick Burton
Originally published on May 1, 2000
Originally published on May 1, 2000
I love the Sean Connery Bond films, particularly Goldfinger and Thunderball, as they represent the point where the Bond series was still in the twilight zone between Ian Fleming’s idealized exploits of a British intelligence agent and a knowing self-parody of its own milieu.




